Mats Erikssön writes fascinatingly quirky articles combining his favourite genre of music and his profession – palaeontology and death (heavy) metal. I am certainly not an expert on the latter, but I do know that, to link the two, is always going to be a bold and humorous conceit.
This is a very ambitious work. The authors discuss the geology of Britain as a “geological legacy”, that is, they believe it is “an inheritance bequeathed to 11 millennia or so of its post-glacial inhabitants”. Therefore, the book covers the geological foundations of its landscape and its raw materials; and how both of these have been used by society and individuals in the visual arts and literature, as well as for mining, quarrying and architecture.
This book explains that ground conditions for building depend on the history of all these aspects in connection with both the actual building site and the surrounding area. In fact, the book goes into some detail, using colour photographs and block geomodels, to bring the subject to life in what is, I suspect, a somewhat fresh way.
This is a lovely example of photographs used to inspire and text to explain. For many years, Dr Tony Waltham has produced a photo plus explanatory text for the back cover of the glossy magazine, Geology Today. The book represents a compilation of 110 such back covers that set out a “photographic journey” around some of the most impressive geological landscapes of the world as a result of his own travels.
I have stood several times in front of an (apparently) plain white, chalk cliff-face along with others, while Prof Mortimore discussed the implications of what we were seeing. And, every time, I left not just thinking but knowing this was the most fascinating piece of geology I had ever seen. That is it the man.
Professor Robert Diffendal Jr’s little guidebook to the Great Plains of the USA makes for a fascinating read for an Englishman like me, who has never been there (but wants to). He makes it plain that they rarely correspond to the impression most people have of them.
I like palaeoart. A while ago, I went to the ‘Dinosaurs of China’ exhibition in Nottingham and bought myself a copy of the Chinese palaeoartist, Zhao Chuang’s ‘The Age of Dinosaurs’ – a veritable picture-fest of up-to-date reconstructions of ancient beasts and plants, complete with fuzzy raptors and other bird-like therapods.
This is a new edition of the classic little guide on Blue John by Trevor Ford, who has now sadly passed away. It is published by the East Midlands Geology Society and has been revised, updated and expanded by Trevor’s colleagues, Tony Waltham and Noel Worley.
